Issue 9.2 Sounding Heritage

Change Over Time is pleased to announce 9.2 Sounding Heritage. Our contributors consider ‘sound in heritage’ from a variety of disciplinary perspectives including, (but not limited to): acoustics, affective heritage, archaeology, architecture, conservation, design, disability studies, performance studies, psychology, tourism, and  urban  planning.

In this issue:

• Listening Beyond the Visible | Pamela Jordan, Guest Editor

• Overhearing History: Sound as Historical Material | Pamela Jordan & Dr. Sabine von Fischer

• Lending an Ear to Architectural History: Commemorating Meyershof, ca. 1932 | Florence Feiereisen & Erin Sassin

• Archaeoacoustics Fieldwork for Aural Heritage Conservation: Collaborative Distributed Sound-Sensing at Chavín de Huántar, Perú | Miriam A. Kolar, Annie Goh, Elías Gálvez-Arango, Brian Morris, Alexa Romano, Samantha Turley, Sophia Colello, William Penniman, Jack Boffa, Celine Wang, Gregory Depaul, & Kevin Keene

• The Ceramic Vessels of Trg: Acoustic Wall Construction in a Medieval Serbian Church | Zorana Đorđević, Dragan Novković, & Filip Pantelić

• Concert Hall Acoustics and the Sounding Heritage of the Interwar Period in America: The Coolidge Auditorium (Library of Congress, Washington, DC, 1925) | Mark A. Pottinger

• Soundscape as an Outstanding Universal Value: An Introduction with Case Studies of Chinese World Cultural Heritage Sites | Jun Zheng

• Sound Archives and Online Repositories | Pamela Jordan